Next he went over to Theodorean views, after he had heard the lectures of Theodorus the Atheist, who used every kind of sophistical argument. And after Theodorus he attended the lectures of Theophrastus the Peripatetic. He was fond of display and great at cutting up anything with a jest, using vulgar names for things. Because he employed every style of speech in combination, Eratosthenes, we hear, said of him that he was the first to deck philosophy with bright-flowered robes. He was clever also at parody. Here is a specimen of his style: | O gentle Archytas, musician-born, blessed in thine own conceit, most skilled of men to stir the bass of strife. And in general he made sport of music and geometry. He lived extravagantly, and for this reason he would move from one city to another, sometimes contriving to make a great show. Thus at Rhodes he persuaded the sailors to put on students’ garb and follow in his train. And when, attended by | them, he made his way into the gymnasium, all eyes were fixed on him. It was his custom also to adopt certain young men for the gratification of his appetite and in order that he might be protected by their goodwill.’ He was extremely selfish and insisted strongly on the maxim that “ friends share in common.’ And hence it came about that he is not credited with a single disciple, out of all the crowds who attended his lectures. And yet there were some who followed his lead in shamelessness. For instance, Betion, one of his intimates, is said once to have addressed Menedemus in these words: ‘“ For my part, Menedemus, I pass the night with Bion, and I don’t think I am any the worse for it.” In
The Greek stands ready in the workroom; the English is served. Both faces will read together.
Menedemus — a candidate entry
Lives of Eminent Philosophers, Volume I (Books I-V), Diogenes Laertius — translated by R. D. Hicks, 1925
Apparatus shelf — Diogenes Laertius, Lives of Eminent Philosophers, vol. I (R. D. Hicks translation, Loeb L184) · R. D. Hicks, Loeb Classical Library, London: William Heinemann / New York: G. P. Putnam's Sons, MCMXXV (1925)
license: public-domain (US: published 1925, pre-1930 — the MCMXXV title page verified by the 2026-07-08 acquisition lane, pin in ops/sources/MANIFEST.md; only the English rectos are served, Hicks's translation)