But there is a certain grace and glory of the poetic art, when it resembles the grandeur of the actions themselves; according to that of Homer, And many falsities he did unfold, That looked like truth, so smoothly were they told. It is reported also, that when one of his familiar friends said to Menander, The feasts of Bacchus are at hand, and thou hast made ne’er a comedy; he made him this answer: By all the Gods, I have made a comedy, for I have laid my plot; and there remains only to make the verses and measures to it. So that the poets themselves believe the actions to be more necessary than the words, and the first things to be considered. Corinna likewise, when Pindar was but a young man and made too daring a use of his eloquence, gave him this admonition, that he was no poet, for that he never composed any fables, which was the chiefest office of poetry; in regard that strange words, figures, metaphors, songs, and measures were invented to give a sweetness to things. Which admonition Pindar laying up in his mind, wrote a certain ode which thus begins: Shall I Ismenus sing, Or Melia, that from spindles all of gold Her twisted yarn unwinds, Or Cadmus, that most ancient king, Or else the sacred race of Sparti bold, Or Hercules, that far in strength transcends. Which when he showed to Corinna, she with a smile replied: When you sow, you must scatter the seed with your hand, not empty the whole sack at once. And indeed we find that Pindar intermixes in his poetic numbers a collection of all sorts of fables. Now that poetry employs itself in mythology is agreed by Plato likewise. For a fable is the relation of a false story resembling truth, and therefore very remote from real actions; for relation is the image of action, as fable is the image of relation. And therefore they that feign actions fall as far behind historians as they that speak differ from those that act.