ἱστορίαι Historiai
Plut. Mor., Concerning Music 11 Concerning Music, Plutarch; served verbatim
Olympus, by the report of Aristoxenus, is supposed by the musicians to have been the inventor of the enharmonic species of music ; for before him there was no other than the diatonic and chromatic. And it is thought that the invention of the enharmonic species was thus brought CONCERNING MUSIC. Ill to pass : * for that Olympus before altogether composing and playing in the diatonic species, and having frequent occasion to shift to the diatonic parhypate, sometimes from the paramese and sometimes from the mese, skipping the diatonic lichanos, he found the beauty that appeared in the new character ; and thus, admiring a conjunction or scheme so agreeable to proportion, he made this new species in the Doric mood. For now he held no longer to what belonged either to the diatonic or to the chromatic, but he was already come to the enharmonic. And the first foundations of enharmonic music which he laid were these : in enharmonics the first thing that appears is the spondiasmus,f to which none of the divisions of the tetrachord seems properly to belong, unless any one will take the more intense spondiasmus to be diatonic. But he that maintained this would maintain a falsehood and an absurdity in harmony ; a falsehood, because it would be less by a diesis than is required by the leading note ; an absurdity in harmony, because, even if we should place the proper nature of the more intense spondiasmus in the simple chromatic, it would then come to pass, that two double tones would follow in order, the one compounded, the other uncompounded. For the thick enharmonic now used in the middle notes does not seem to be the invention of the fore-mentioned author. But this is more easily understood by hearing any musician play in the ancient style ; for then you shall find the semi-tone in the middle parts to be uncompounded. These were the beginnings of enharmonic music ; afterwards the semitone was also divided, as well in the Phrygian as Lydian moods. But Olympus seems to have advanced music by producing something never known or heard of before, and to have gained to himself the honor of being the most excellent, not only in the Grecian but in all other music.

The Greek stands ready in the workroom; the English is served. Both faces will read together.

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Filed here — the addresses this episode attests; counted by the house’s first pass
Olympus — a candidate entry

Concerning Music, Plutarch — translated by John Philips (rev. W. W. Goodwin), 1874
Apparatus shelf + pinned Perseus TEI — Plutarch's Morals (the Moralia), ed. William W. Goodwin, five volumes · 'Plutarch's Morals. Translated from the Greek by several hands. Corrected and revised by William W. Goodwin, Ph. D.', with an introduction by R. W. Emerson; Boston: Little, Brown, and Company, 1874 (five volumes; a minority of the TEI transcriptions were keyed from the same publisher's 1878 reprint)
license: public-domain (US: the Goodwin edition is an 1874 Boston publication of a 1684-1694 translation — title pages verified on all five shelf scans at acquisition; Perseus digital editions CC BY-SA 4.0, attribution recorded per ops/corpus-staging/SOURCES.md pattern)