ἱστορίαι Historiai
Plut. Mor., Concerning Music 6 Concerning Music, Plutarch; served verbatim
Now the music appropriated to the harp, such as it was in the time of Terpander, continued in all its simplicity, till Phrynis grew into esteem. For it was not the ancient custom to make lyric poems in the present style, or to intermix measures and rhythms. For in each nome they were careful to observe its own proper pitch ; whence came the expression nome (from vo^og, law)^ because it was unlawful to alter the pitch appointed for each one. At length, falling from their devotion to the Gods, they began to sing the verses of Homer and other poets. This is manifest by the proems of Terpander. Then for the form of the harp, it was such as Cepion, one of Terpander s scholars, first caused to be made, and it was called the Asian harp, because the Lesbian harpers bordering upon Asia always made use of it. And it is said that Periclitus, a Lesbian by birth, was the last harper who won a prize by his skill, which he did at one of the Spartan festivals called Carneia ; but he being dead, that succession of skilful musicians, which had so long continued among the Lesbians, expired. Some there are who erroneously believe that Hipponax was contemporary with Terpander, when it is plain that Hipponax lived after Periclitus.

The Greek stands ready in the workroom; the English is served. Both faces will read together.

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Filed here — the addresses this episode attests; counted by the house’s first pass
Hipponax — a candidate entry Homer — a life

Concerning Music, Plutarch — translated by John Philips (rev. W. W. Goodwin), 1874
Apparatus shelf + pinned Perseus TEI — Plutarch's Morals (the Moralia), ed. William W. Goodwin, five volumes · 'Plutarch's Morals. Translated from the Greek by several hands. Corrected and revised by William W. Goodwin, Ph. D.', with an introduction by R. W. Emerson; Boston: Little, Brown, and Company, 1874 (five volumes; a minority of the TEI transcriptions were keyed from the same publisher's 1878 reprint)
license: public-domain (US: the Goodwin edition is an 1874 Boston publication of a 1684-1694 translation — title pages verified on all five shelf scans at acquisition; Perseus digital editions CC BY-SA 4.0, attribution recorded per ops/corpus-staging/SOURCES.md pattern)