ἱστορίαι Historiai
Plut. Mor., Laws and Customs of the Lacedaemonians 16 The Account of the Laws and Customs of the Lacedaemonians, Plutarch; served verbatim
They made use of a peculiar measure in their songs, when their armies were in their march towards an enemy, which being sung in a full choir to their flutes seemed proper to excite in them a generous courage and contempt of death. Lycurgus was the first who brought this warlike music into the field, that so he might moderate and soften the rage and fury of their minds in an engagement by solemn musical measures, and that their valor (which shoidd be no boisterous and unruly thing) might always be under the government of their reason, and not of passion. To this end it was always their custom before the fight to sacrifice to the Muses, that they might behave themselves with as much good conduct as with courage, and do such actions as were worthy of memory, and which might challenge the applauses and commendations of every one.

The Greek stands ready in the workroom; the English is served. Both faces will read together.

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The Account of the Laws and Customs of the Lacedaemonians, Plutarch — translated by John Pulleyn (rev. W. W. Goodwin), 1874
Apparatus shelf + pinned Perseus TEI — Plutarch's Morals (the Moralia), ed. William W. Goodwin, five volumes · 'Plutarch's Morals. Translated from the Greek by several hands. Corrected and revised by William W. Goodwin, Ph. D.', with an introduction by R. W. Emerson; Boston: Little, Brown, and Company, 1874 (five volumes; a minority of the TEI transcriptions were keyed from the same publisher's 1878 reprint)
license: public-domain (US: the Goodwin edition is an 1874 Boston publication of a 1684-1694 translation — title pages verified on all five shelf scans at acquisition; Perseus digital editions CC BY-SA 4.0, attribution recorded per ops/corpus-staging/SOURCES.md pattern)