ἱστορίαι Historiai
Plut. Galba 16 Galba, Plutarch; served verbatim
And now, in his desire to display a great change from Nero’s immoderate and extravagant manner of giving, he was thought to fall short of what was fitting. For example, after Canus had played on the flute for him at a banquet (now Canus was a performer of high repute), he was loud in his praises and ordered his purse to be brought to him; and taking from it a few gold pieces, he gave them to Canus, with the remark that the gift was made from his own, and not from the public moneys. Again, he ordered that the gifts which Nero had made to people of the theatre and palaestra should be demanded back again with strictness, all but the tenth part; and then, when he got only slight and grudging returns (for most of the recipients had squandered their largess, being men of a loose and improvident way of living), he had a search made for such as had bought or received anything whatsoever from them, and tried to exact it from these. The business had no limits, but was far extended and affected many; it gave the emperor himself a bad name, and brought envy and hatred upon Vinius as having made the emperor ungenerous and sordid with everybody else, while he himself used money lavishly, taking everything that was offered and selling freely. For Hesiod bids men to Drink without stint at the beginning and end of the cask, and so Vinius, seeing that Galba was old and feeble, sated himself with the good fortune which he thought was just beginning and at the same time was soon to end.

The Greek stands ready in the workroom; the English is served. Both faces will read together.

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Filed here — the addresses this episode attests; counted by the house’s first pass

Galba, Plutarch — translated by Bernadotte Perrin, 1914–1926
Perseus Digital Library — Plutarch, Parallel Lives (Perrin translation) · Bernadotte Perrin, Loeb Classical Library, Harvard University Press / William Heinemann, 1914–1926
license: public-domain (US: pre-1930 publication); Perseus digital edition CC BY-SA 4.0, attribution recorded in ops/corpus-staging/SOURCES.md