ἱστορίαι Historiai
Plut. Phocion 22 Phocion, Plutarch; served verbatim
For instance, on the death of Pythonicé the courtesan, who was the passionately loved mistress of Harpalus and had borne him a daughter, Harpalus resolved to build her a very expensive monument, and committed the care of the work to Charicles. This service was an ignoble one in itself, but it acquired additional disgrace from the completed tomb. For this is still to be seen in Hermus, on the road from Athens to Eleusis, and it has nothing worthy of the large sum of thirty talents which Charicles is said to have charged Harpalus for the work.And yet after the death of Harpalus himself, his daughter was taken up by Charicles and Phocion and educated with every care. However, when Charicles was brought to trial for his dealings with Harpalus, and begged Phocion to help him and go with him into the court-room, Phocion refused, saying: I made thee my son-in-law, Charicles, for none but just purposes. Asclepiades the son of Hipparchus was the first one to bring to the Athenians the tidings that Alexander was dead. Thereupon Demades urged them to pay no heed to the report, since, had it been true, the whole earth would long ago have been filled with the stench of the body. But Phocion, who saw that the people were bent on revolution, tried to dissuade them and restrain them. And when many of them sprang towards the bema, and shouted that the tidings brought by Asclepiades were true and that Alexander was dead, Well, then, said Phocion, if he is dead to-day, he will be dead to-morrow and the day after. Therefore we can deliberate in quiet, and with greater safety.

The Greek stands ready in the workroom; the English is served. Both faces will read together.

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Filed here — the addresses this episode attests; counted by the house’s first pass

Phocion, Plutarch — translated by Bernadotte Perrin, 1914–1926
Perseus Digital Library — Plutarch, Parallel Lives (Perrin translation) · Bernadotte Perrin, Loeb Classical Library, Harvard University Press / William Heinemann, 1914–1926
license: public-domain (US: pre-1930 publication); Perseus digital edition CC BY-SA 4.0, attribution recorded in ops/corpus-staging/SOURCES.md