ἱστορίαι Historiai
Plut. Mor., Concerning Music 29 Concerning Music, Plutarch; served verbatim
Of the Hypolydian mood they make Polymnestus the inventor, and the first that taught the lowering and raising of the voice [hlvaig and tx^ol/j). To the same Olympus to whom they also ascribe the first invention of Grecian and well-riegulated nomic music they attribute likewise the finding out the enharmonic music, the prosodiac measure to which is composed the hymn to Mars, and the chorean measure which he used in the hymns to the Mother of the Gods. Some report him to be the author also of the bacchius. And every one of the ancient songs show that this is so. But Lasus of Hermione, transferring the rhythms to suit the dithyrambic time, and making use of an instrument with many notes, made an absolute innovation upon the ancient music, by the use of more notes, and those more widely distributed.

The Greek stands ready in the workroom; the English is served. Both faces will read together.

← Plut. Mor., Concerning Music 28 contents Plut. Mor., Concerning Music 30 →

Filed here — the addresses this episode attests; counted by the house’s first pass
Mars — a candidate entry Olympus — a candidate entry Polymnestus — a candidate entry

Concerning Music, Plutarch — translated by John Philips (rev. W. W. Goodwin), 1874
Apparatus shelf + pinned Perseus TEI — Plutarch's Morals (the Moralia), ed. William W. Goodwin, five volumes · 'Plutarch's Morals. Translated from the Greek by several hands. Corrected and revised by William W. Goodwin, Ph. D.', with an introduction by R. W. Emerson; Boston: Little, Brown, and Company, 1874 (five volumes; a minority of the TEI transcriptions were keyed from the same publisher's 1878 reprint)
license: public-domain (US: the Goodwin edition is an 1874 Boston publication of a 1684-1694 translation — title pages verified on all five shelf scans at acquisition; Perseus digital editions CC BY-SA 4.0, attribution recorded per ops/corpus-staging/SOURCES.md pattern)