There was besides a private dinner of his, commonly called that of the “twelve gods,” which was the subject of gossip. At this the guests appeared in the guise of gods and goddesses, while he himself was made up to represent Apollo, as was charged not merely in letters of Antony, who spitefully gives the names of all the guests, but also in these anonymous lines, which everyone knows: “As soon as that table of rascals had secured a choragus® and Mallia® saw six gods and six goddesses, while Caesar impiously plays the false réle of Apollo and feasts amid novel debaucheries of the gods; then all the deities turned their faces from the earth and Jupiter himself fled from his golden throne.”’ The scandal of this banquet was the greater because of dearth and on and the famine following in the land day there at was the time, an outcry that the gods had eaten all the grain and that Caesar was in truth Apollo, but Apollo the Tormentor, a surname under which the god was worshipped in one part of the city. He was criticized too as over fond of costly furniture and Corinthian bronzes and as given to gaming. Indeed, as early as the time of the proscriptions there was written on his statue— “In silveronce my father dealt, now in Corinthians@ [,” since it was believed that he caused some men to be entered in the list of the proscribed because of their Corinthian vases. Later, during the Sicilian war, this epigram was current : « After he has twice been beaten at sea and lost his ships, he plays at dice all the time, in the hope of winning one victory.”
The Greek stands ready in the workroom; the English is served. Both faces will read together.
Antony — a life Caesar — a candidate entry
The Deified Augustus, Suetonius — translated by J. C. Rolfe, 1913
Apparatus shelf — Suetonius, The Twelve Caesars (J. C. Rolfe translation; Dover republication) · J. C. Rolfe, 1913 (preface dated Philadelphia, April 1913); Dover Publications republication, 2018
license: public-domain (US: the served text is Rolfe's 1913 translation, pre-1930 — verified from the scan's own copyright and preface pages; Dover-era apparatus [2018 arrangement, introductions, endnotes, index, the Lives of Illustrious Men part] is not extracted and not served)